So, what about music where the emphasis is on sound colour, texture, intricate variations in volume? Or music where the structure itself is fluid, and contributions from performers are welcomed? Traditional Western music notation doesn’t serve these options very well, but computing may help us to find a way. In notated Western music, the quality of sounds is largely left up to the performers – a prescribed instrument and some rough guide to volume is all that’s usually provided.Ĭat Hope's Speechless (overture) from Tura New Music. Electronic technology has brought forth new sound worlds, as well as recording, playback and interactive software possibilities. The sonic materials available to composers and performers alike has developed beyond the acoustic instruments traditional notation was developed to serve. Beyond the notesīut what of all the other sounds – the textural, ambient and experimental? These make up a large part of popular and film music, and are sounds that are often created in the studio itself. This information largely relies on an engagement with tonality – an agreed order of pitches and chords that most people find ‘kind’ to their ears, creating melodies and harmonic backings that are pleasurable to listen to. In popular and jazz music, charts are often used, providing even more skeletal information, sometimes only a melody line and series of chords. Pitches, organised over time into rhythmic and larger formal structures, are set out on paper to be faithfully reproduced by performers. How can we make notation relevant to today’s music practice? Some composers are using technology to enable new notation methods.īut first, what does notation provide both composers and performers of music?Ĭomposers traditionally provide a very prescribed set of information to musicians. And that could be because most modern music makers don’t find traditional forms of music notation an effective tool to represent musical ideas.īut many musicians still enjoy the process of "reading" music from notation, and it provides and important archival source for the reproduction of music. Audio recording has taken over as the most commonly used method to engage with and distribute music. See under Draught.Most music today isn’t notated – that is, written down. Same as Draught box, Draught engine, etc. Relating to, or characterized by, a draft, or current of air. Pertaining to, or used for, drawing or pulling ( as vehicles, loads, etc.). It is usually a flat plate of the same internal dimensions as the flue, which can be rotated to be parallel to or perpendicular to the current of gases. The act of drawing a quantity of liquid from a large container also, the quantity of liquid so drawn.Ī device for regulating the flow of gases in a chimney, stovepipe, fireplace, etc. ![]() ![]() ![]() See Draught.Ī quantity of liquid poured out for drinking a dose. (Naut.) Depth of water necessary to float a ship. (Milling) The slant given to the furrows in the dress of a millstone. (Masonry) A narrow border left on a finished stone, worked differently from the rest of its face. The form of any writing as first drawn up the first rough sketch of written composition, to be filled in, or completed. An allowance or deduction made from the gross weight of goods.Ī drawing of lines for a plan a plan delineated, or drawn in outline a delineation.
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